This may be my favorite exercise ever. Donald Maass calls it tension-on-every-page. You’re probably thinking, Thanks for the tip, Captain Obvious. What writer would purpose to write even one boring page?
I hear that. But the way we go about adding tension matters. I could just throw my veggies in a pot, dump in some broth, and call it soup. Or, I could saute the onions first, deglaze with a splash of broth, then toss in the rest and simmer. The process would make a huge difference. Same with this exercise.
I explain in three minutes.
Here’s the list of tension items you want to look for on each page.
- Conflict
- Unexpected ____________ (insert anything)
- Torment
- Secrets
- Power struggle
- Sense of Urgency (I’m doomed)
- Flirting/sex
- Anticipation (character wants something)
- Survival
- Lost*
Here’s a link for the random number generator mentioned in the video. I made a list of the page numbers I’ve already done and the conflict I believe to be on the page. Once I find one type of conflict, I go on.
Only 220 more pages to go. When I get close to 200, I’ll make an excel spreadsheet, so I can see which pages I’ve yet to do.
*I added this since doing the video.

Wow–sounds like a great exercise. This is one of my plotting shortcomings, for sure!
I have fun with it! 🙂 According to Donald Maass, the technique can be employed in literary writing as well. Have you heard of his book? It’s been a game-changer for me. Writing the Breakout Novel Workbook.